The Road to State

By Kelsey J.

We had been preparing for this one day for months. State came and went for the Roland-Story Jazz band. But it was the preparation leading up to it that mattered the most. The Roland-Story Jazz Band was set to compete on April 8th at 2:45 pm. The two weeks leading up to it were very stressful and filled with tons of practice. Between sectionals, full band practices, and clinics we were booked tight. 

To be able to become better, you have to seek the help of the very best along the way. The Roland-Story Jazz band’s first clinic was with Bob Neunier. He came and listened to the band on March 31st. Bob is the Professor of Percussion & Director of Bands at Drake University, where he is the conductor of the wind symphony and director of percussion studies. The kids brought him in to help give tips and advice to the band. With his elite skill set, he helped to lock in the rhythm with the rest of the band. He gave new ideas and insights on how we could take our band from good to great. 

The trombone section brought in an expert in that field. They invited Natalie Steele-Royston on April 2nd. She was there to help them tune cords that were very important to the overall sound of the band. She worked with them for around 2 hours, just helping to polish everything up so they could be one of the strongest sections of the band. 

The next person that the kids could bring into the clinic was Ted Heggen. He came in on April 3rd, right before the Jazz Champs, to help out.  He is a retired former band director. He came in with definitely a different angle on things than Bob did. He had a lot of focus on cords throughout the band, making sure that they were locked in. He also focused on the “do’s” and “dah’s” of the pieces of music. With his expert insights, the band felt very prepared for the Championship. 

Every single day, the Roland-Story Jazz Band practiced long and hard for the awaited day to come. They had sectionals, big band practice, and practice with the rhythm section. By the time April 8th rolled around, they were ready and prepared. Even though the practices felt long and maybe boring at some points, it was all worth it for the show-stopping performance that they had that day.

Location: Ames, IA, USA

Popular posts from this blog

Back in the Swing of Things: The Return of Roland-Story’s Jazz Band

By Mason S. The Roland-Story Jazz Band is gearing up for a year of swinging songs, soulful solos, and jaw-dropping performances. After placing 3rd last year at the Iowa Jazz Championships, this year's band has big shoes to fill, especially to keep the rich musical tradition alive and prove that they are one of the top ensembles in the entire state. Students have been working hard to perfect their musical selections, from big-band Jazz Standards to modern funk hits. Lead trombone player Bradey Haberl said, “I think this year's music is some of the best I’ve ever played. It's definitely my favorite by far, but it is also by far the most difficult music we have ever played. This increased difficulty in music is not without reason. The rhythm section currently comprises all returning players: Aubrey Britten on bass, Cael Vermeer on piano, Mason Schnurstein on guitar, with Ella Murphy and Eli Van Hove both on percussion. The rhythm section is the glue that keeps the band togethe...
Read more

Roland-Story at The Iowa Jazz Championships

By Bradey H. On April 2nd, the Roland-Story Jazz Band played at the Scheman Building in Ames for the annual Iowa Jazz Championships. After placing first at the SCIBA (South Central Iowa Band Association) Jazz Festival to qualify for the championships, the band continued participating in contests and practicing four times a week to improve for this performance. Just a few weeks earlier, the band had clinics with retired Southeast Polk band director Ted Hagan and Drake jazz professor Bob Meunier. Using the advice from these two experts, the band finished polishing the four pieces they were going to play for the championships. The songs to be performed were “Hipper by the Dozen” by Al Horney, “Chicken Scratch” by Kris Berg, “Sagebrush” by Annie Booth, and “Hit the Bricks” by Gordon Goodwin. The band had only performed “Sagebrush” once before, so a majority of the practice time was devoted to it. In the final days leading up to the event, the band’s director, Kevin Masemann, made the final...
Read more